Sunday, January 27, 2019

DRAFT 2 01.27.19  6:34 AM — Redd just woke up. Warm embrace. Oven on for breakfast. He’s to the couch.


Considering Love[a|o|d] Where I Seek Equity In My Life

[subtitled: You Can’t Have it All]


Invocation.





[From The Taken Down God By Jorie Graham]

On mistaken identity.  

subtitled: {The Other Other. No, I do not know where they keep [ ______ ]}


At some point, I should make a tally.  Two columns.


Attire.
Professions White Women Commonly Mistake Me As:
COLORED  T-SHIRT/LOGO[NON-LOGO], JEANS
TRADER JOE’S EMPLOYEE
LIGHT COLORED COLLARED SHIRT [SHORT SLEEVE/LONG SLEEVE]
WAITER, BUSBOY
WHATEVER I’M WEARING/IN MY HONDA
RIDESHARE DRIVER [THEY WAVE ME DOWN]
*TANK TOP
CRIMINAL/HENCHMAN/RARELY LEADER


Still(Always) unpacking this. It’s been like this or a version of this my whole life. It’s a very subjective experience, and I don’t think it’s often discussed between us of color. Let’s compare notes. What does whiteness see when it sees you? What class? What story do they throw on you like a stained jacket/trashed poncho/unwanted uniform?


*Regarding this last one. In the interest of transparency, I’ve made good money on this assumption. They pay me well to objectify me fully. Often [compared to my white male counterparts], I am considered less an actor, closer to the scenery - pepper to their salt, yes? The secondary characters I portray are poorly drawn, with forgettable names and no history. They are/I am an extension/archetype of prejudice. [TRANSLATE: He is of color, with tattoos, and speaks with mild ghetto-affected accent. He is a snitch, he is a gunman, he can die.[CO-STAR/GUESS STAR 17 lines]

In Closing:



--W.R.

Saturday, January 19, 2019

Welcome to Writer-in-Residence Wally Rudolph!

Born in Canada to Chinese-Jamaican immigrant parents and raised in Texas, Wally Rudolph settled in Los Angeles after a peripatetic youth. He is a multidisciplinary artist and diversity advocate whose debut novel, Four Corners (Counterpoint/Soft Skull, 2014garnered praise for its unflinching prose and drew comparisons to the hard-edged but compassionate work of Denis Johnson among othersHis second novel MIGHTY, MIGHTY was published to critical praise in 2015.  

During his tenure at the Beach House (January 16 to March 20, 2019) he is working on a new novel, The Ox, The Horse & The Boar. He also post weekly updates about his residency at beachhouseair.blogspot.com, hold open office hours, and present a series of three public conversations on the theme of Creating Art in Times of Strife. In these conversations, Rudolph speaks with socially conscious artists across several disciplines and discusses how the current state of socio-political polarization and environmental crisis affect and inform each artist's respective process and practice.  

All are invited to office hours for questions about writing and the publishing process from 11 a.m. – 2 p.m. on the following days: Friday 1/18, Friday 1/25, Friday 2/1, Sunday 2/3, Friday 2/15, Friday 2/22, Sunday 3/3, Friday 3/15 

Public Events: 
At the Annenberg Community Beach House, 415 Pacific Coast Hwy, Santa Monica CA 90402 

Tuesday, Jan. 29, 6:30 - 8 p.m. | Creating Art in Times of Strife Conversation with filmmaker Christine Yoo | Free | RSVP 
Tuesday, Feb. 12, 6:30 - 8 p.m. | Creating Art in Times of Strife Conversation with artist Neha Choksi | Free | RSVP 
Tuesday, Mar. 26, 6:30 - 8 p.m. | Creating Art in Times of Strife event TBD Free | RSVP 
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At the Camera Obscura Art Lab, 1450 Ocean Ave, Santa Monica CA 90401 
Wednesday, Feb. 20, 10:30 a.m. – 12:30 p.m. | Poets & Writers Literary Roundtable Conversation on Diversity & Inclusion | Free | RSVP  

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To learn more about Wally Rudolph, please visit www.wallyrudolph.com